Ballet vs. Depression & Anxiety

Damn, I hit a really rough patch, out of nowhere. I pretty much laid in bed binge-watching Oz (which I'd never seen, and is... over 20 years old! I'm ancient!) for a month straight. I did make it to a few ballet classes.

Anyway, I'm really starting to feel better now that I was prescribed Abilify for the first time. That's 5mg on top of 300mg Wellbutrin, 40mg Prozac, up to 8mg Suboxone (I really try to keep it to 6mg, though when I'm really depressed, it can sneak up to about 12mg a day... which only serves to make me more tired, which makes me more depressed... but hey, that's an addictive personality for ya), and 2mg Xanax a day (which I also try to keep lower). Anyway, the Abilify is kicking in, and I made it back to the gym again, and plan to get to class today!

I skipped a week of classes because I was asleep most of the day and night for awhile. But at my last class, I was almost at a full side split on my left! I can't wait to get back down there and snap a pic!! I'm so psyched!

Yours truly, taken yesterday. After missing over a week of classes- properly warmed up, I'm almost there!!

I'm also so worried. I REALLY REALLY REALLY want to go en pointe. When I'm not deep inside depression, I KNOW I can do it! I'm so motivated and excited! But when I get so low, sometimes I can't even make it to class. It's soooo hard for me to maintain class regularly because of this. I fear missing one too many classes and not being able to stay en pointe. And I don't say this to, like, talk myself out of it. It's more of an honest possibility that I have to consider, because I have ALWAYS been like this. I'm 38 years old. I know myself and my limitations, and I've finally started learning to accept them, and work with them... I'm EXTREMELY proud of myself for finding something ACTIVE and physical that I love so much, and have committed to in such a strong way... but I also know that depression IS GOING to hit and there will be times I just can't get to class. That's not me talking myself out of the potential for not being that way- that hope is ALWAYS there. But I have to remain realistic about my boundaries.

Anyway, this post is getting depressing, HAHA. Let's get to some gorgeous, motivating photos, shall we?

via @wiktoria_reszka on Instagram via Pinterest (Her body, WOW!)

via Dina Simpson?

Skipping (part of) a grade...

I AM SO STOKED! Here's what happened recently:

I've been going to class pretty consistently, and was really liking the second level I've been in. I pretty much knew what was going on and was able to really focus on technique, as it's the class that I originally took before (starting, again, in the middle of the year). The class was super full, though. I never went on an evening when everyone was there, but if I had, I would not have been able to drop-in.

So, the administration lady speaks to me about moving to the next level. Honestly, I felt a bit pressured to do so. I chose to take the level I was taking for a reason. I couldn't commit to the next level at the beginning of the year, and I felt starting halfway through, I'd just be totally lost. But she was really encouraging me to, as the level I'm in has far fewer students.

I just couldn't do it Tuesday. It took hours for me to get up the nerve to get dressed and go to school. Even with my anxiety, I was extremely tense and nervous. I did NOT want to be way behind everyone else. So I speak with the instructor, and she doesn't mind if I take the class, but she reiterates that she is not going to hold up the class just for me. Sure, I totally understand that, but the second time she said it, I felt a little challenged... which was good.

I went in there and nailed it! Okay, my form wasn't anywhere near good, and my pas de bourres, echappes, and assembles were a mess. I had no clue what they were doing with the pirouette business... I was taught how to (technically, if not in reality) do one in a class in a different school, but that was the whole deal. This method breaks things down into quarter turns- which makes sense, but wasn't what I expected.

Oh, and to top it off! Before class started, and I'd made it inside the studio with the other students, I confessed I was terrified and they were all going to be so far ahead of me. Keep in mind these kids are about ten years old. They were so sweet! They encouraged me to follow them, helped me out with one of the across-the-floor moves we were doing, and everyone told me afterwards what a great job I had done!

The best part of this, though, is that I totally faced my fear and conquered it. I did so much better than I expected. In the other class, and I realized this, I wasn't really pushing myself. I'd done it before. But with this one, I'm really going to need to work hard to catch up. It's not going to take long to finish memorizing the barre work, since most of it is what we'd ended with before. But the center "jumps"- the ones I've been procrastinating on- I'm going to really need to start tackling those in my gym/barre-room time.

Speaking of the gym, I'm very happy and proud to say I've started going back this week! Arms one day, legs another- the latter followed by some ballet, until my legs just gave out on me.

Things are going pretty sweet here on my end! I really needed to take this class, to inspire me to push myself. If I'm not challenged, I usually can't put my heart & soul into it.

One last thing that, of course, I have to mention. Moving up a grade puts me one year closer to earning my pointe shoes! I'm having trouble understanding the levels listed on the website, but I think I will start one year from this Fall. OMGOMGOMG!

Saved by

Juanita De Los Santos

 Via Pinterest

Photos for more inspiration!

Southeastern Regional Ballet Association - Photo by Richard Calmes http://www.pbase.com/rcalmes. Via Pinterest.

 

 

 

 

 

 

 

 

Elevé Dancewear (@elevedancewear) on Instagram: “Looking forward to this week • Photo by @darianvolkova Model @ionovaworld Via Pinterest.

<< "La danse n'a plus rien à raconter : elle a beaucoup à dire" ... © Maurice Béjart>> Via Pinterest.

And because you know I'm obsessed with ballet feet...

Saved by

Bruna Santana Via Pinterest

Update: I got in trouble in class!

Thought I would post a quick update. Class is going great- I've made it to all of them so far (which isn't many, but still!). I actually got in trouble in my third class. I made a ballet-class-friend who is about 13-14, the second oldest in my class. She loves ballet as much as I do! I get very excited to talk to her... but the only time I can do that is IN class.

I was just telling her a quick note about how, with the waltz we were doing (which, I just found out, is more appropriately called balance en tournant, although we haven't gotten to the turning part yet), the point of brushing the foot against the floor, as the teacher was stressing, was to provide friction and make our feet stronger! As I was finishing my sentence, I heard the teacher telling everyone to be quiet. I looked around and the entire class was looking at me- apparently, I was the only one talking!

Yes, I know that's SO rude, and I was properly embarrassed! I was just SO excited to have someone in front of me I could talk to about learning ballet!! Needless to say, I haven't talked in class again.

When I took ballet previously at this school, I started in the winter season, same as this time. This class is a lot farther behind than when I took it before. Part of me really likes learning things like balance en tournant like a beginner, with everything broken down really simply. The other part of me fears we won't be caught up as far next year. (And the anxious part of me is scared I mixed things up and am taking a lower grade than ever before!)

After battling some more depression, and likewise not going to the gym, I made it back to the gym yesterday. I just did 3 miles on the bike, some ab work, and a little ballet. My mind was wandering around oddly- I started the medication Seroquel last week, and I think it's affecting the way I think.

I also made it to a Pilates class this past week- Reformer Basics, and have a mat class scheduled for Tuesday!

One more thing: I'm having to sell my Capezio BraTek camisole leotards, sadly. They are an adult sized medium, which usually fits perfectly, but my bust is just a bit too large for the bra part to feel comfortable. I may try one in a size large, as it was REALLY helping hold my chest down and compress it. (That Bal Togs I posted about before, though, is AWESOME!)

First Class (Back): Success!

I'm so happy, and proud of myself. In spite of the fact my mind and body, via depression, were telling me to just give up on ballet, not go to class, I went anyway.

I took a nap that afternoon until about 1pm, and woke up in a good mood, luckily not groggy. I decided to go ahead and get dressed in my ballet outfit, 4 hours in advance. I took my time, trying on the various leotards I've accumulated since the last time I took a class. (I love buying leotards, what can I say?)

One of my most recent purchases was this Bal Togs sports bra:

Here's the front:

If you've read any of my blog, you'll see that I'm often on the hunt for different ways of keeping my girls in. My breasts don't look very big in this photo, but I had breast augmentation about a decade ago, bringing them from an A/B cup up to my current 32DDD.

For the record, my grade's dress code is: black leotard, preferably long-sleeved, pink tights, pink ballet shoes, no extras.

I love camisole leotards, and I love to wear them when I'm at the gym (although usually under something else), but when I'm in class- I'm around a bunch of very young girls and their protective mothers, and I don't want to do anything to jeopardize my ability to continue taking classes there. So I try to dress as modestly as possible, while still attempting to find ways to change my style from a totally basic scoop-neck/high-back tank or short-sleeve leotard. (I recently ordered a long-sleeve leotard, basic black, but I get hot extremely easily, so I think that will probably last through one class, if that. But I want to try.)

Back to this Bal Togs bra. I purchased it from Discount Dance during a clearance sale to wear under this leotard I also purchased during this sale:

(Turns out I have another leotard just like that one, but with lace instead of mesh, LOL.) I love the bra! Especially when paired with a leotard, it really compresses my breasts and prevents them from hopping up and down when I jump. I ended up wearing this leotard to class:

No mesh like the one above

which was surprisingly comfortable. Paired with the Bal Togs- along with some plain, adhesive nipple covers, I felt much better than when I wear a VS Sports bra to class. With those, I don't have to wear the nipple covers, but they enhance my cleavage instead of compressing it.

So class went well, and it was one of the first classes I've felt like "Oh! I know this one!" pretty much the entire class! Even though I have taken about a month or so off from any sort of ballet practice, the hard work I put in before was NOT (as my depressed self tried to assure me) in vain. I'm really learning, and I'm becoming more comfortable with the movements. And when we galloped across the center of the room, two at a time, I actually felt like I looked graceful!

One more thing: since taking classes (even from before), I have struggled with some of the full-body positions we usually do during center. My previous instructor (who I will likely have next year) is amazing, but she always seemed too busy for me to feel comfortable to ask, and the times I thought about asking previous classmates, I didn't have a pen and paper with me. But Monday, I spoke with my teacher, and she was great! She demonstrated the movement and gave me time to write them out. Now, to practice them!

In case you're wondering, here is the list:
croise devant
a la quatrieme devant
ecarte
efface
a la seconde
epaule
a la quatrieme derriere
croise derriere

I had to take my car to the shop yesterday, so I'm not sure if I will be able to make it to class tonight. I hope so, because I know next week is when parents get to come in and watch, and I really don't want to be there for that. (I've done it- my mom came once. But I just haven't learned that much since then, and it'd be weird with only a couple of classes under my belt with this instructor.) Anyway, back to loving ballet!!

Ballet Class Today *gulp*

Depression has been kicking in hardcore lately, and I've barely left the house. I go through phases of interests in activities, and I've recently gotten back into hiking. When I "get into" something, I obsess over it. When I obsess over it, other objects of obsession drift to the background for awhile, until I come back to them. So I've been obsessing over hiking, while ballet has taken second place to it.

For months now, I have been looking SO forward to TODAY, my first ballet class in months, and the first one I can take consistently in a long time. I think partially it's my depression trying to talk me out of my love and enjoyment of ballet: "Hiking (which I'm mostly putting off the majority of until the weather gets a bit warmer, and thus is something I could use as a tool for procrastination) is so much more feasible for you than ballet," my mind is telling me. "You're never going to get far with it because you have so much trouble going consistently. It just isn't for you. You've shown in the past that you can't stick with it consistently, disciplined. That's okay- you should just find something that doesn't take up quite so much time and dedication (and something that's not 30 minutes away)."

My mind keeps running: "You were working so hard there for awhile, when you moved back here and started going to the gym. But then you stopped, all that hard work for nothing- all those hours at the barre and it's going to be like you're basically a beginner tonight. Class is only an hour, and only twice a week. How will you progress? Do you even want to? Was this just a pipe dream?"

All of this crap running through my head. I knew one of the reasons I'd decide to stay home is simple comfort. It's cold outside, and it's warm and cozy inside. I remedied this by going ahead and getting dressed for ballet. Discount Dance recently had a sale on a few things I've been wanting, one of which was a sports bra made for dance. My VS Sports bras are usually great, but they make my breasts look HUGE in class, and I'm already trying to counteract my tilted pelvis, so I've been wanting something that provides some compression AND support. Bonus points if I can wear it under leotard styles beyond the basic short sleeve or high-back tank. This one is made by Baltogs, and I LOVE it!

It gives lots of support when I jump (as long as I have a leotard over it as well, and it looks great under a couple of lace-back leotards I have. I'll try to get a photo of the rest of my outfit tonight later on.

I still don't know how to get in a decent warmup before class. The hall in my school is very narrow and crowded. My gym is too far away- I'd be cold again by the time I got to class.

Anyway, in conclusion, just by putting on my leotard, I feel a lot more into going to class than I did before. And I know I'll feel better afterwards- I pretty much always do. In anticipation of feeling some soreness tomorrow, I went ahead and booked a Pilates mat class for in the morning!

Slow vs. Fast Progress

I see these other adult ballet dancers online... some of them haven’t been taking ballet a full year, and already they are on pointe. I have mixed feelings about this- and yes, part of it is a little bit of envy! 

In my school, I’m one of the only, if not THE only, adult students (besides, of course, the 18-year olds who have been practicing for years). My school goes by grades. I’m currently in the 2nd grade (although I could have started the fall in 3rd, but I couldn’t commit twice a week right then). There’s grade 3, then an advanced grade 3, and then pointe begins sometime in grade 4. I don’t even know what the advanced grade 3 means, but I’m thinking it’s an extra year before 4. From my understanding then, I have 2 more (full) years before I can go on pointe. (And I’ve been at this ballet thing for a few years already, just not consecutively or regularly, so I can’t count it much.)

So that’s the frustrating part: I want to EARN those Capezio Contemporas I managed to get myself fitted for back when I first became obsessed with ballet! (LOL! Please don’t tell my teacher!) I want them NOW!

On the other hand, I’ve now taken classes at three other studios, and I love mine the best. I love the strict focus on doing the same barre every class, and somewhat the same center work. I love that once I can get the hang of the barre exercises again, I can let myself start moving freely into the movements, letting it flow instead of always trying (so far quite unsuccessfully) to just remember what the heck my feet and legs are supposed to be doing next- not to mention my arms that would inevitably get stuck in first or second so I could just try to get through this set of exercises. I love that I have so much time to learn technique, to practice a few moves over and over and over, almost meditatively, instead of the constant confusion of thinking about the future, what comes next, allowing myself to feel each smallest movement of my feet, toes, body.

Of course I’m aware of the fact that I have NO CLUE what kind of progression the ladies who have moved fast have made, or how much time and effort they have put into their own practice (although I do cringe when I see someone on pointe in a classroom, and their lower body looks just like mine when I try on my beloved Capezios for a few minutes a month- from my knee to my toe is barely even a straight line, and as tall as I may try to stand, my knees just won’t straighten... and their teacher is encouraging this? But again, what do I know?)

So I guess in summary, I need to stop comparing myself to others! I don’t know their situation, and right now, I’m actually very happy with mine (well, I will be as soon as the second week of January comes around!). I have a LOT of work to do. My barrework is starting to flow pretty naturally, which is very exciting (even though, as you can see below, my flexibility still has a long way to go!). But even at the gym, I’ve been putting off a lot of centerwork. How I dread sautes and echappes and anything else that requires a fast upward motion of my body with my overly heavy elephant feet leaving the ground! I’m not too worried- that will change when I’m in front of a decent mirrored wall, being told I need to get my feet off the ground- that will be plenty of encouragement to work on those! 

Training Plan, Post I

I've been thinking of coming up with a training plan for the gym/ballet once I start classes at the beginning of the year. Coincidentally, while searching for something else, I came across this article, "How to Design a Training Plan" (for ballet). (That link is pretty much the sole reason for this post, but enter: some personal thoughts on what I need to work on.)

Edit: Toe strengthening exercise here

Since moving back to my hometown, I've been doing GREAT with going to the gym. I've never been able to be as consistent as I have been, and I'm extremely pleased and proud of myself. I have been focusing more on strength at the gym, and that's definitely good- but this article serves as a good reminder that I really need to focus on stretching, too! I've been doing a little, but not nearly as much as I should be doing.

Another note to self: I need to wake up earlier so I can do as I was previously at the gym- doing a full workout before even starting on ballet... and then doing a full 45-60 minutes of ballet. Lately (thanks to the colder weather, much shorter days, and ergo: depression), I've been getting up later, and haven't had the time to do both, so I've pretty much only done ballet, with like 10-15 minutes of cardio (ugh). This needs to change.

Speaking of cardio, I'm already dreading ballet class jumps. I really need to work on my endurance- I recall from class that my jumps have never been high enough, and I feel like an elephant trying to get my feet off the ground. My body just feels so heavy when it comes to jumping (and I'm not talking jetes or anything fancy), and the fact that it's so cardio does not help. But: I WILL IMPROVE.

I just couldn't stay away...

...Ballet is now in my heart!

Hello, lovelies! It's been over two years since my last post. Life happened, and ballet classes became difficult, but it hasn't left my heart!

I made a move in December 2015, and while there was a ballet class option for me as an adult, it was about a 45 minute drive one-way- a tough prospect even without the inevitable depression swings! I did make it to two or three classes. They were so much different from the classes I've normally taken. There was a lot more work on different combinations, but a lot less work on proper technique. It was definitely a lot of fun- it felt far more "dance-y" than usual, but I didn't really like that I had to focus so much on remembering what I was supposed to be doing that I couldn't work on form. I did, however, learn how to do a pirouette... technically, anyway! ☺

Fast forward to summer of 2017 and we come to my being back in my hometown. I hadn't been here long before it was time to register for fall classes at my favorite school, and circumstances were that I just couldn't yet make the commitment to attend class twice a week, so I didn't enroll. What I did do was get myself a gym membership, and I'm proud to say I've been pretty regular at going to the gym! Even better: my gym offers a Barre class (yuck, I tried it)... which means... they have BARRES in the studio, attached to the walls! Guess who has added some very basic ballet to her gym routine?

Now, I don't know if they changed their website, or if I somehow missed it (more likely), but I was drooling over the school's website one day, and I happen across this statement:

Adult students who are unable to attend on a regular basis may pay for individual classes.

Say whatttt??!! I could have been taking classes all that time without worrying about whether or not I missed occasionally?

So, of course, I made it to the next available class! I'd be too behind in the grade I've graduated to, so I took the class in the same grade I'd taken two years ago. I spoke with one of the administration and paid my drop-in rate. My class was going to be in a different studio, with a different instructor. Said instructor was surprised to see an adult in her class- "You spoke to admin? And they said it was okay? Well, okay...."

I also had to deal with my young classmates (8-9 years old or so) being surprised at having such an old lady (haha) taking a class with them. That part is weird for the first class or three- it's like they're either in awe of me, or terrified of me, or both! I've forgotten a lot of the steps, but I had a general idea of what I was doing. I found some of the little girls were sort of looking to me to follow, while I was looking towards another little girl to follow! I always try to be a really good student, because I'm really grateful to be able to take classes there even though I'm the only adult in the class, and one of the only ones in the school. I count out the steps or call out the movements the way we are supposed to when I remember, even though it's sometimes just me and the teacher doing so.

The huge highlight of my first class: one of my classmates asked me where I did ballet at. I told her I just took classes at the school. Her eyes grew big and she replied, "wow! you're really good!" That was awesome :)

Anyway, at the end of that class, they handed out the schedule to the Nutcracker rehearsals and such. I don't even know if I CAN be in the Nutcracker, and even if so, it wouldn't be this year, so I am waiting until the holidays are over, and starting classes again in January! I'm SO excited!

In other news, I'm tending to an injury of some sort, so I haven't even been to the gym in a week or so. I thought it was my hamstring, but it's flaring up to my rear end, so I'm pretty sure it's my sciatic nerve. I'm taking it really easy, babying it, icing it, and I tried compression when I thought it was just my hamstring. It doesn't seem to be getting better, though, and I don't know what to do :( I read to try and stretch out a sciatic nerve flare up, so I am going to try that again, but it didn't seem to help around the time I tried compression. I have a doctor appointment later this month, so if it's not feeling better by then, I will ask for help. I so badly want this to be healed by the time class starts back up!

Last thing: OMG, Instagram! All of these wonderful beginner (and more advanced) adult ballet students posting! Honestly, it's what inspired me to start writing in this blog again. the.pointer.sisters are currently my favorite ballet students to follow- more advanced than I which is so inspiring, and they always look like they are having such fun! Anyway, I haven't posted anything yet, but I plan on doing so soon, so please follow me @luvballetluv!

Actual last thing: I was very surprised to come back to see that I had a comment on my post about MDM ballet shoes- it meant someone's read this blog! At the time I read the comment, I couldn't find a US retailer of the shoes, but since then, it looks like they are once again available in the USA. I tried using them recently at the gym, which worked a couple of times, but the floor is really dirty there sometimes. I still really love the shoe, and feel like I get more of a foot workout with them than with normal full-sole shoes, so I may invest in a pair just for practice. (Currently using Bloch 205L, which are increasingly difficult to find.)

Ending with some beautiful photos:

Towards a Better Tendu...

Yes, I'm back in class! I'm still struggling to get the medication I need that helps me stay awake (insurance doesn't want to approve it without another doctor's signature), but my doc did give me some samples, so I've made it to three evenings of two one-hour classes, and I'm loving it! Surprisingly wasn't super sore last week, and not much this week, but fatigue and tiredness are settling in this week, even with my meds.

I don't have much time for a longer post, but I just read something that's really giving me something to think about and to work on: a proper tendu. Specifically:

Also, when doing class, think of shaping your feet when you pointe and as you pointe, so that they are pointed in the same way as when you are in sur le cou-de-pied wrapped position, ankles fully articulated, heels forward, toes back etc.  -(source)

I've been doing it quite incorrectly! I do have some trouble getting my foot totally into sur le cou-de-pied- my ankles seem to be pretty flexible but not in THAT way! But now it makes sense some of the foot positions I've seen that look pretty, but awkward! Like the tendus but where the heel is pointed up so that the ankle is angled.

Photos for inspiration:

Vaganova student- you can also see it here, where the foot is angled a bit differently

This one doesn't show that, but still looks amazing!

Nice Beginner Class

Just came across this one. Definitely more advanced than my class, but absolutely doable for me. The instructor goes step by step through everything and the class then goes through it. Once I start back, this is going to be just the right balance between being too easy and too difficult for me.

My Ballet Life Update: Back to Class Soon!

So I've taken quite a break from ballet, which has been very discouraging for me. I've had a lot going on- most notably the continuing lack of energy I mentioned before. My doctor has me trying a new medication to help me stay awake; I'm still figuring out the best way to take the dosage I was given over the day (as a full dose once a day was too much for me, and anything else wears off quickly- but some combo of smaller doses throughout the day seems to be going well).

Unfortunately, I eventually gave up my exercising/ballet movements, simply because there wasn't enough time for me to do that with all the sleeping combined with a couple of other things I've been doing a bit obsessively in the little time I'm awake (reading YA dystopian fiction and sewing!). I believe I've also mentioned before that I have a tendency to be really motivated about an activity, only to lose motivation and interest for awhile (though my interest usually picks back up at some point- almost like I tend to cycle through my interests!). I decided to go ahead and do some other things, and maybe by the time the fall season was about to start, I'd be ready again.

I was right! I'm getting more and more into my ballet-obsession mode. I've been finding myself very discouraged about this... well, not that I'm getting into it again, but that I was doing so well and making a lot of progress (muscle tone and strength, balance, improving on my technique, flexibility), only to stop for so long, losing a lot of what I'd accomplished. (Did I mention how awesome my legs were looking, too?) But, I'm not going to let that bring me down anymore. I just came across a great positive affirmation for me at this small setback in my life:

DEAR SELF, 

THERE IS PLENTY OF TIME. 

LOVE, ME

Yes, I've lost the bit of flexibility that I'd gained from months of ballet and stretching. BUT that injury I incurred on myself awhile back has finally just about healed! (This was the first injury I've had in life that has shown me that I'm now at that age where my body simply doesn't heal as fast as it once did. Lesson learned: I'll be proceeding slower and with more caution now!) I just checked on it a week or so ago and still felt a bit of pain. Today's the first time I've been able to do even a minor stretch without it hurting, and that's awesome! I should be able to start a mild stretching routine on that leg; I'll give it a couple more weeks though to make sure.

Yes, I've lost much of the muscle tone I gained, especially in my legs. However, I still naturally have not-too-much fat on my body, and I DO still have some of the muscle tone and strength, so it shouldn't take quite as long to start seeing results again. That was the first time I've ever had my body so toned, and I love that I was actually able to do it, to get myself active enough to see results (when I've always had a tendency to some laziness and an aversion to most things considered "exercise"). I am going to get to this point again, yes, and I will also do it a bit differently this time. I really mostly focused on my lower body before. I've come to really understand how vital the core is to ballet, so the exercises I do at home will be more holistic this time around. 

So the big news in my life right now: I start ballet again next month- less than four weeks to go! I emailed my teacher to let her know I do want to start again this coming season and asked her what grade I should go to (i.e., did I graduate or not?). She told me I did indeed graduate and could come to the next grade's classes, a step up (where, hopefully, my little friends will be, too!). This time, however, I got approval to take both this new, more advanced grade AND the grade I was in. There are steps & movements I didn't get to learn from her the first time, and I found it difficult to pick up just by watching the others. I want to retake the grade so 1) I can learn from her some of what I didn't before, 2) I can keep working on my technique at a slower pace, 3) I'll build more muscle and flexibility with an extra class, and most importantly: 4) MORE BALLET. I'm so excited.

My classes start August 25. I plan to do much more blogging than these past few months once I'm back into it.

Some inspiration:

Still interested in ballet, still around!

So, I've had crazy stuff going on lately, and I've totally taken up sewing- which I am in love with, along with a bunch of other arts and crafts. Once I stopped going to ballet class, I kept up with working out (grande plies in both fifths work AMAZING for the upper legs!) for quite awhile- my legs are much more muscular than they've ever been.

Then depression started kicking in. Up until a few days ago, when I drastically lowered one of my medications, I was sleeping ALL the time. Go to work: sleep throughout the day. Go home: immediately crash and wake up the next morning to go back to work. The few days a week I was actually awake, I was working on my sewing- and still browsing Pinterest ballet pictures, wishing I had the energy to work on ballet some more.

I'm back on an upswing, it seems. Over the weekend, I added a couple of sets of plies and releves to my day. I've done a little bit more each day. Yesterday, I had something of a setback, that also has (hopefully) turned into something somewhat positive... Remember the injury I received from (idiotically) forcing my splits months ago? It was feeling a lot better, though not all the way. Last night I decided to try to stretch it some, and see how it went. I think I pushed just a bit too hard (and it wasn't all that much to begin with), so that it hurts this morning- not a good I've-stretched feeling but an "ow, this still isn't healed" feeling. It's been months! The fact that I'm getting older is starting to dawn on me more and more.

So what's positive about that? Well, I've been seeing some beautiful photos of ballerinas on pointe who DON'T have perfect splits or perfect turnout or this or that. And they're still beautiful. I wish I hadn't injured myself, but I did, and I have absolutely no choice but to let my body take as long as it needs to heal. So instead of being down on myself, I'm just going to go with the flow. The few movements I can't make with the injured leg aren't THAT big of a deal. (And frankly, it's not like I was going to get splits before the fall season!)

I can still work on splits with my other leg. And what's more, splits and that sort of stretching are pretty much the only thing I can't work on with that leg right now. On the positive side: I've been working on turnout quite a bit- sometimes even when I do absolutely nothing else. And my turnout seems to really be improving. I can FEEL the strength there deep inside my hips, and I can TELL that I'm rotating from there and not my knee. I'm getting more comfortable balancing in a larger turnout. And my injury isn't stopping me from working on that- which is probably much more important than splits anyway. (It's in a very close area, but the injury seems to be on the back side of that area, while working on my front side/rotator muscles doesn't touch it at all from what I can feel.)

So, I just wanted to check in, make a quick update. I've got lots to do the next few months. I'm still not sure what class I will get into next season. Either way is fine- I wouldn't mind being back in the same class so I can totally get down all of the things I was having trouble with because I never SAW it being taught. If I graduate and go into the next step up, that's great too- closer to pointe and I'll work extra hard to catch up on a few things, maybe take a couple of private lessons.

(Speaking of pointe- I've also totally still been working on my ankle, toe, and foot strength, and I'm seeing SUCH a difference, especially when I releve. The curve of my foot goes OVER my toes!)

Update: On Class Hiatus

So, I missed a Thursday class a few weeks ago- I was tired, or had plans, or something. The following week, my car nearly broke down and needed transmission work. Just breaking down a transmission itself is quite a time-consuming process... then they had to figure out what was wrong with it... order the parts... fix something else that my car had been recalled for that I'd forgotten about... fix the transmission... put it all back together. There was a big week-long event in town the first week, so car rental prices were absurd. By the second, I'd gotten used to just getting a ride to/from work and saved car rental money. But I had to miss two weeks of classes, on top of the Thursday I'd missed.

Had I gone back to class, they were just working on the demo I wouldn't get to be in, and I'd be quite behind on learning the moves. And after the demo, class is pretty much over. I've also found a new hobby I'm adoring, so I've decided to just go on hiatus until the next ballet season starts in the fall. That doesn't mean I'm not working at home; I'm just not going to class.

There's another reason as well. Remember the injury my silly self got by overdoing splits? I'm still injured. It doesn't hurt to move or anything, but the slightest stretching and I can totally feel it. I've decided I want that to heal totally before doing anything major with it. (I'm reading Dancing Through It by former NYCB principal dancer Jenifer Ringer, and one of her teachers told her, when she was injured, "The slower the recovery, the faster you recover", or something very similar. The book is fantastic, BTW. I just covered many pages while at the doctor's office today. I highly recommend it!)

And honestly, I haven't done a ton of ballet lately besides tendus, rond de jambes, other barre work- with a big exception: I've been going plie crazy! I noticed the slightest hint of extra muscle definition in my legs recently, and it has spurred me to do at least a little exercise every day. I like doing my plies in fifth, so I will usually do 15 on one leg here and then a little later do the other side, and keep doing that throughout the evening, or during the day if it's the weekend.

I also do a lot of leg lifts towards the back (ballet term not coming to me) to work on my butt, focusing on keeping my legs turned out. I do tendus and rond de jambes. I do a lot of ankle rolls and foot doming (many times throughout the day, every day) to work on my ankle strength. I do releves, including releves with either leg in passe (working on turnout!) I do this exercise every night on my problematic, non-turning-out, tibial torsioned leg. I do arabesques and other things. Occasionally, I do an online class. Non-ballet-style: all four on the floor, left leg up behind me then bring back down, also to work on my rear.

And I finally got nearly everything I need to make my rotation disks! I may have mentioned this before, but at my job, they install speakers. To install speakers in a box, they have to cut out circles. (The circles aren't perfect- it's difficult to cut a perfect circle with the tools they use... I mean it's perfectly circular but there's an extra cut in them that makes them kinda unsellable... maybe... hmmm....) They were going to throw away quite a few, so I grabbed them and came home and was able to nearly finish one. I can use it now, just the top is not attached. Getting the other screws and washers I need will be one of this weekend's projects!

One other thing: I realized last night that even though I don't really want to stretch my injured leg much at all, I can still stretch the rest of my body, even my other leg (duh!). So I am going to start stretching again, possibly yoga. (It's too bad I wasn't injured on my right leg. That one's naturally more flexible, and I could have worked on the left one catching up, but oh well!)

So that's where I'm at these days. Still loving ballet. Kinda regretting already not getting right back into class- I don't know where I will be placed when I go back (the girls should all be moving up a level), but either way is okay with me.

I might not be posting as often as I was, but I'm still "into" ballet and haven't lost my motivation as I'd feared I would. (Well, a touch, but not to where I am going to stop.) I'm still finding gorgeous photos online and will still be sharing those!

Frustration, slacking, end of the year demo

I've definitely been slacking in the ballet department... and blogging, too! I've gotten a touch frustrated with ballet lately. First of all, our class stops and starts a LOT, and the stopping tends to take forever. The kids I'm in class with have been doing ballet for nearly two full ballet years, but they still can't remember the basic terminology they've been doing every class, twice a week for those past two years. "xxx, what is a frappe?" Then we sit while the teacher shows the girl (or occasionally the one boy) what the movement is and tries to eek out the one-word definition from her. SO much of our class is spent doing this.

I skipped a Thursday two weeks ago and went this past Tuesday. Our class has started working on it's end of the year demonstration. I was stressing over whether or not I wanted to be in the demo, as my being an adult would stand out terribly on stage- yet, it would give me something to work towards and give me an opportunity to perform (no matter how poorly, haha!). Well, when I went to class Tuesday, our teacher told me and the other adult (the third only takes class once a week right now) that adults don't usually perform in the demonstration at the end of the year. That takes the dilemma of whether or not I do want to perform off the table (and on the plus side, the girls will be showing off their splits, and as we know, I cannot do a split- and yes, I'm still recovering from my outlandish attempt to do so!) But, well, I was actually leaning towards wanting to perform. I was going to invite my boyfriend and family to watch and everything. Thinking I would have the opportunity to do so was encouraging- I was coming home working quite a bit on my trouble areas, and improving. And now, it's a bit of a bummer, a bit of a discouragement, to know that I won't be able to perform.

Don't get me wrong- I can see the reasoning behind it. It's mostly a kids studio, and these kids have to be treated as though they will be professionals one day, while we all know us adults have long past that ability. It's just a bit of a drag, a bit of a let down.

On the plus side, since everyone is working on the demo, class is moving somewhat faster now, or at least it did Tuesday. We're dancing to different music, which has totally left me (and everyone else) confused, LOL. We didn't stop nearly as much to go over terminology, and DID stop to go over a move I was having trouble with. (I'm still having trouble picking up a few things. If the moves were taught before I started, those are the ones I really struggle with because I'm basically having to learn from others who often get it wrong. When I am shown the move correctly by the teacher, I usually have it down in no time.) On the downside, we also did a lot of practice sitting- sitting there very still so the kids could practice what they would have to do on stage (since they will perform, then sit on stage while others perform). I skipped Thursday's class as well.

I also realized there's no way I could do a summer intensive because, duh! I have a job.

I was going to cancel my Danceflix subscription, but now I think I'm going to keep it and start working more on the Finis Jhung series. I'm even considering dropping out of ballet until the next fall/new season begins. I think I will pick up a few more things first, then do that. And just work as I was doing initially- teaching myself at home. I now have a bunch of corrections to work on and when I checked out one of Finis's DVD sections the other day, which I haven't even looked at in months, it looks totally doable now that I have real class experience under my belt.

Edit: I forgot to add: I'm going to see a ballet this evening! It's being done by the school I took my first class from (the one where everyone was too busy chatting to ballet... though I may have to give that one another shot soon- hopefully the real instructor is off maternity leave by now). It is supposed to be their top-notch students, so hopefully *crosses fingers and points toes* this will give me the inspiration I need to get back to dancing!

Surviving Parent's Night, Today's Success at Discipline

Parent's Night
Just a quick note: my ballet practice today went wonderfully. Actually, let me back up: parent's night was lovely as well. My mom did attend, which was fun, and there weren't really but a couple of other parents there (including one with a super nice camera... please don't post my splits online or anywhere!) I messed up on quite a few things, but that was okay. We also have another adult, which makes for three of us now!

We go over terminology over and over and over again in class. For some reason, these kids just can't pick up the one-word definitions of "frappe", "petite", "degage", etc. I still have a few I mix up (frappe is one, actually), but for the most part, I know all of the definitions. So much of class, we all just stand there while the instructor calls out on of the kids who she knows struggles with the definitions, and we wait while the little girl (or boy) stands there doe-eyed as she pries the definition out. This happens with nearly every single movement we do. Tendus: "what does tendu mean?... Anyone... ***....? .................." Petite battements: "what does tendu mean?... Anyone... ***....? .................." On and on and on. It really eats up class time, and is a bit frustrating at times. I want to make these kids flashcards or something. I would, if I thought they might use it.

Anyway, on parent's night this time (this didn't happen previously), we barely went over any terms! Maybe two or three total! And it was wonderful! I worked so hard because instead of stopping so much for so long, we just went from movement to movement to movement. I was far more sore the day after than I usually am! I can't wait for all our classes to be like that!

I had my mom record a few of the movements I still have problems with, like the body positions. I haven't checked those out yet, but I nearly have them down. We are supposed to do a demonstration at the end of the ballet year. Positions are one of my lesser concerns, because it's very easy to sneak peaks at what the other students do, without being too out of sync. Unlike with, say, pas de bourree, where if you mess up and go the wrong way, it's super obvious.

Today's Practice (at home)
So today, I wasn't at all sure what I was going to do, or if I was even going to do any practice. I was doing some plies at my barre and decided what the heck, I'd get dressed and work some. Practice went so well. I just made up my own routine, and listened to some of the classical music I have. I did quite a few plies and tendus- I went through those two or three times on both sides. Especially with the tendus: they are easy enough to do... but I wanted to work on actually leading with my heel and keeping my foot on the floor as long as possible before bringing it up so my toe was on the ground.

Rond de jambes: I worked on really getting that turnout. The movement seems so easy, but it's difficult for me to remember to turn out as soon as I possibly can and as much as I possibly can.

Frappes: Worked on these as well. With my frappe, I think I flex my foot too much when it's at my ankle. My instructor recently told me to strike the foot farther out, so I worked on that and smoothly brushing it on the floor before coming up. This one's a little hard to do on carpet!

Chasses: I've almost had down our chasses in class- we do them a certain way, in a certain order. But I've also been struggling with these. I've understood the direction we had to move, but it wasn't making sense to me what foot crossed in front when. And then our instructor said something last class that gave me an "aha!" moment: the first half, the left foot is chasing the right and the second half, the right chases the left. With just that short description, I now have the movement down pretty well.

[Description: Start in 5th, right foot in front, arms down in preparatory. Plie. Glide forward (in plie), leading with the right foot, bringing arms up to first (fingers at naval... I just looked this up and realized my arms have been too high!). Quickly bring left foot back to fifth (in the back). With right foot, glide into second plie, arms out. Close to fifth (prep arms), this time with right leg in back. Now reverse that, using the left foot to lead and going to the left instead of right. (See, I kept trying to put the wrong foot in back when gliding into second.)

There are two ways we do this, both actually have an extra step that what I said above: à terre and en l'air. In à terre, before closing the non-leading foot to fifth, we tendu the non-working leg. So if I'm going forward with right foot, I'll glide forward, tendu back with my left leg, and quickly close. Glide right, tendu with left leg, close left foot in front. Glide back with right foot, tendu left foot to the front, snap it back to fifth in front. En l'air is the same, except we dégagé instead of tendu.]

Adagio: Finally (after doing my chasses over and over and over again), I went on to our adagio. We do this one both at the barre and in center. It's a passe through retire then the working leg extends up (grande battement?) and then releve (rise up on our standing leg). It's done front, side, back, side. At the barre, instead of passe, we petite battement, sous-sus (feet jump up- releve- in a tight fifth position), spot, and turn. I practiced that one last week. I was having a lot of trouble getting down what happened after the back, and now I have that one nailed- and my spotting has improved as well! (When in center, instead of spotting and turning around, we [try to] stay in releve, do a few short port de bras, then close in the opposite fifth and do it all on the other leg. )

Our adagio has been really difficult for me! I mentioned we do it à terre AND en l'air (in the air)... and I've barely even been able to do just à terre! So today, I did it over and over again- almost totally in the air. I've still got a long way to go, but I'm more or less able to do the movements without having to put my foot down so much for balance.

In summary (I think I am a bit over-explanatory sometimes... I used to write A LOT but now this blog is pretty much the only writing I do nowadays. I hope to improve as I continue on), I'm super proud of myself because today, I showed a lot of discipline! Not just that, but I was totally in the zone doing it. Sometimes I can try things but have my mind elsewhere, wanting to be doing other things. Sometimes the music that came on wasn't fitting for whatever I was doing, so I either turned it off for a while or I just ignored it (instead of allowing myself to become distracted by trying to find the perfect music or something). Today, I was disciplined! Here's to more of that in the future, and more often!

Now to nail my pas de bourres! I was only just starting to get the hang of the two we've been doing, and now there are two more! Slowly, I can do them. But when we are in center, we do all four in a row, and my feet start getting tangled up! I can do this, though. My boyfriend is convincing me I should, indeed, do the demonstration/performance at the end of the ballet year in May... and I think I just might. I think it's just the encouragement I need to really work hard to improve!

Improvements and Disappointments

So, class was great last night! I left work early in a bad mood, and took a power nap before waking up in a bad mood to get dressed to head to ballet.

Once the music started and we began our ankle rolls, my foul mood and negative thoughts starting drifting on out the door. By the time we were doing degages, I was absorbed in ballet and ballet only.

I totally nailed it at the barre. I'm getting close to knowing the preparations I've been having trouble with. I kept my head pointed in the right direction. I worked on keeping my arm more in front of me. I ended each exercise cleanly, with my arms more raised than towards my legs, as they had been. I messed up on the counts when doing our adagio leg extensions, but my spotting was dead on and I was able to pick it back up within a beat or two since I've been practicing. I even kept my head in the right direction for most of our echappe sous-sus, including the faster ones. I did everything at the barre so well, I didn't get any pointers or feedback.

The center went pretty well. I'm still having trouble with a few things like, uh, this one movement I can't recall the name to, where I mix up which foot goes in front when we transfer. But my arabesques were much more arabesque-like. My port de bras are getting more graceful. I mostly kept up with the harder footwork we do. Class went quite great!

So what's the disappointment? My horrible turnout, especially in retire. I want it to look perfect.

I want to have pretty turnout.

I want clean lines.

But I'm so far behind, especially on my left leg with it's damn tibial torsion. (As an example: in rond de jambe, my left foot can be pointed almost perfectly outwards… but my knee is always pointed down.) It's so frustrating.

So I will be working on my turnout a whole lot more.

Class tonight- hopefully back on track now

I'm so excited to have class again tonight. I pretty much missed most of February's classes, between my car accident and getting sick with a cold. Hopefully all of the hindrances are behind me and I can continue on without missing any more classes for awhile! I feel like it's disrespectful to the teacher, plus I'm finding I learn moves best when I am there the first time she introduces a new movement; otherwise, I'm trying to learn what I can from watching the other students (who may get it mixed up) and it's taking me a LOT longer to learn what has already been taught than what I have been there to see the first time. I'll apologize, of course... and mention that I've injured myself trying to do my splits... yes, it's healing but I can't put a lot of pressure on it now- I'm such a goofball!

Over the weekend I was feeling better and (I may have mentioned this already) worked on my arabesques and spotting. I've also worked some on my port de bras- my arms have not been very pretty, and I feel more "dance-y" when I think they look nice. I developed one of several (so far) bad habits from teaching myself: my arms in second I tend to place too far to the side of me, my elbows possibly even a little behind me. So I've worked on that some lately, too- even just passing by the mirror now and then. I also watched a couple of YouTube videos on arms in ballet, and again, my second hasn't been very correct: I'm now working on keeping the elbow more rounded, with my palms facing inwards along the line of the rest of my arm.

I hope I don't mess up my arabesques today! We do them with the working foot en terre the first time, and then raise it and hold it for a couple of counts in third arabesque. I've been practicing maintaining my balance. I need to get back to work on my turnout muscles because I am unable to hold an arabesque in the air with a very turned-out foot.

A little inspiration for the day:

 

Update: Sick, Pas de Bourres, Adding a Bra to a Leotard

As luck would have it, just as I was getting over my not feeling so well from the car wreck I was in, I caught a cold earlier this week. It got bad on Tuesday, when I left work early, and I stayed at home in bed Wednesday and Thursday as well. I'm feeling much better. I pondered going to ballet both of those days (though I felt really bad, especially Tuesday), but decided that not only would it probably make me not feel better, I would likely spread it to all of my classmates, who would then spread it to their respective school classrooms and I would just be responsible for this huge catastrophe of sickness. So, I stayed home.

I'm definitely getting back into it today. Nothing too hardcore as I'm not at 100% but I can't not do anything today. I'm already worried my teacher is thinking I'm not taking ballet seriously- and I am! I'll explain to her what happened, of course. And today, I think I am going to work on some of the slower online classes that I know well, the ones by Tamra Chace, and do some stretching. At the end, if I feel like it, I will work on my pas de bourre. I'm really getting the hang of them, and want to really have them nailed the next time I go to class... or at least to where I'm not totally tangled up doing them in class.

I've been working on visualizing those pas de bourres a lot, since I haven't been able to do them. I've been watching two videos over and over to see how gracefully the dancers do them, and then try to imagine myself doing the movements as gracefully. Hopefully that's helping. One is from the Royal Opera House. We don't move front to back, only to the sides, but even so, I'm watching those movements too to help figure out how to gracefully do the sides. This is the other one and I don't even know who these people are, but I like that I can watch several people to see how each of them do the movements.

The other thing I am planning on starting today is this: I've been lamenting about my lack of leotard options as a woman with a D cup/fuller breasts. Basically, I have been confined to plain, basic tank leotards; plain, basic short-sleeve and long-sleeve leotards, and, well, that's just about it. (Although I have recently purchased one with lace at the shoulders, and can wear a bra with clear straps for that one.) But I still have my pretty leotards that I can't wear to class!

So I've decided to recycle an old bra to use with a leotard, probably my older white one (it's seen better days, so I will use it first. Also, it flattens me out a bit instead of pushing me up, which is better for ballet!). My goal is to cut the back off starting from an inch or two past the cups on the side, and cut everything from there back out. Then I am going to fold the edges I cut, and maybe add something else in for reinforcement there. (Excuse me, I don't know sewing terms.) And then I am going to add black elastic strips. With this one, it will probably be three horizontal straps, so that when the bra is on (which will hopefully just slip over my head? Or I may need to add hooks), the front will be supported and in the back you will just see three horizontal black stripes, which will hopefully blend in and look like it's part of my leotard.

I've been looking at a ton of ideas for doing this. I've got some ideas for straps as well. Here are some of the photos that have been inspiring me:

This is how the first one I plan to do will hopefully look, only under a camisole leotard with a very low back. I'm just not sure if strapless will be enough support. If not, I will add straps in somewhere...

Basically what mine will look like, hopefully, only the front won't match and won't be so pretty on my first try!

This was my original idea, for the really pretty black leotard I still have the tags on, because I just don't have a bra to match the straps and without a bra, it just looks awkward. It looks like with this one, you could actually sew in the bra straps inside the leotard straps, though I'm not sure how that will work with the one I have in mind.

I wouldn't put the adjustments there at the top like that, but I plan to use mine for low-back leotards. I'd love to make something where the straps could be worn or not... but if worn, they would match my leotards shape. So, not like the traditional multi-way bras that VS has and such.