Thursday, December 11, 2014

Lifting Hips in Développé?

I've been struggling with not lifting my hips when doing développés. It seems like it CAN possibly be done, because it seems I am able to do it while on the floor, without gravity to bring me down. This article is interesting because it says that the hips are supposed to be lifted using the iliopsaos, not the quads. (It also has videos to go along with all of the seven exercises for leg extensions.)

I tried the "Thigh lift" last night and my iliopsaos was very elusive.

Then I came across this link while researching how to get my leg up higher. It's a video, inviting comments, of a ballet class DVD preview taught by Dmitri Roudnev (he's the one posting). He states it might be controversial, so of course I have to watch it:

The comments to his post bring up the fact that he teaches his students to lift the hips when performing extensions, instead of telling them to keep their hips straight like I've been hearing and reading. The first comment I see sums up the argument against what he is doing:
I just cannot fathom how it is beneficial; surely by teaching it in this way (referring to the developpe at 90) you are teaching the movement pattern of lifting the hip of the gesture/working leg to initiate the extension rather than developing strength and control in the legs, postural muscles and rotators etc?
 Here's Dmitri's explanation:
I believe the alignment should be the first priority in ballet training. Turn out is second priority. 
I believe for progressive training that 180 turn-out in all five positions are a must ( my school, the Bolshoi, believes the same, as well as many professionally oriented schools in the world ) At the same time, in order to keep the alignment correct, I believe the turn-out of the working leg should not be forced. 
The student in the video is a beginner ( 2 classes per week ). The video shows how much this beginner student is able to rotate the leg in a la second. It is a temporary look and it will change and improve as soon as she gets stronger.
So basically, he's saying it's okay to lift the hip as a beginner, that the beginner needs to develop the strength first, before working on keeping the hips lower and more turned out. To me, this makes sense (not just because I want it to!). For instance, I am working on my turnout, still. But just because I don't have perfect turnout doesn't mean I can't practice ballet. I work with the turnout I have, and also work on strengthening my hip rotators so I can increase my turnout. Likewise, he is saying nothing should be forced; build strength first and then the improvements in turnout, extension, will necessarily be improved so long as one is working on strengthening those areas.

I also came across this link, basically sayings screw all that, lift your hips for extension! And it posts quite a few photos of professional ballerinas doing leg extensions with their hips lifted. Such as these two:

Sylvie Guillem, former top-ranking dancer with Paris Opera Ballet, principal guest artist with the Royal Ballet in London

Students at Jacqueline Kennedy Onassis school, ABT's pre-professional division
 I just found a bunch more here:






So, I'm going to stop stressing so much over my lifted hips when I'm doing leg extensions. Honestly, they're hard enough as it is without my beating myself up over it. (They're one of those things that if I were to get focused on, I'd slide down into not wanting to continue ballet.) So, yes, I recognize that my ilipsaos needs to be a helluva lot stronger. I can't even isolate it at the moment. And I do think continuing to do floor barre may help me learn to isolate the right muscles. But when it comes to following along with the videos I watch, eh, I'm just going to do the best I can and that's going to have to be that. I can't control it right now, so, like I said, I'm not going to beat myself up over it.

I do find it interesting all the different ways I'm learning that ballet instructors can teach things. I didn't understand how there could be all sorts of different techniques when I started. I'm starting to get it now though ;)

Later today, I am off to the mountains with my dog, my friend, and his two dogs! I'm bringing all my ballet gear (well, I can't take my barre unfortunately!) and plan to hike, relax, read, and of course, do ballet. That's my next four days summed up (I hope!)

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